This volume contains Gianfrancesco Pico's Life of his uncle Giovanni Pico and also Giovanni's Oration. Gianfrancesco's Life opens a collection that omits Giovanni's Conclusions but includes the speech that we - unlike Pico - know as an Oration on the Dignity of Man. He wrote the Oration to introduce the Conclusions, but his nephew's editorial decision cut the theses off from the speech that their author had connected with them. Several times in the Oration, the (...) orator mentioned "theorems" to be proposed in the Conclusions: he clearly saw the book and the speech as tools for the same task. Either Gianfrancesco missed his uncle's intentions, which seems unlikely, or he meant to seal off his other writings - including the Oration - from a book that he found embarrassing for himself and his relative and too risky to make public. This is the fact of the matter: Gianfrancesco left the Conclusions unpublished while publishing the Oration in a collection introduced by his Life. Both the speech and the biography are presented here, in this edition, in the same way - apart from the Conclusions: this reflects the situation in 1496 and respects Gianfrancesco's choice, even though his decision blocked understanding of the speech for many years. Today, with access to all the relevant texts in many versions, readers can move from one work to another as needed. (shrink)

The origins of this book go back to I956 when it was suggested to me that a study on the philosophy of Gianfrancesco Pico della Mirandola would furnish an important addition to our knowledge of the philoso phy of the Italian Renaissance. It was not, however, until I960 that I could devote a significant portion of my time to a realization of this goal. My work was essentially completed in 1963, at which time it was presented (...) in its original form as a doctoral dissertation in the Phi losophy Department of Columbia University. Since then I have made many minor improvements and several chapters have been extensively reworked. This study represents the first attempt in fifty years to give a detailed account of even a portion of Gianfrancesco Pico's life and thought. The most comprehensive previous study, Gertrude Bramlette Richards, "Gianfrancesco Pico della lv1irandola" (Cornell University Dissertation, I 9 I 5), which I have found very useful in preparing my own book, is largely based on secondary literature and is mistaken in a number of details. Furthermore, Miss Richards' treatment of Gian francesco Pico as a thinker is very sketchy and is not an exhaustive study of his own writings. It is hoped that my present study, built in part on her extensive bibliographical indications, brings forth a certain amount of new information which will be of value for further research. (shrink)

ResumenEn el marco intelectual del Renacimiento hubo una serie de pensadores que se mostraron disconformes con el aristotelismo dominante. La variedad de sus posturas así como lo distinto de sus posicionamientos filosóficos ha podido actuar como obstáculo para poder ver las similitudes que, en torno a la crítica aristotélica, presentan. El caso de Juan Luis Vives y de Gianfrancesco Pico puede resultar paradigmático, a estos se suma con fuerza Francisco Sánchez, quien dedicó una parte importante de su obra (...) Quod nihil scitur a criticar a Aristóteles, aunque más aún a sus comentaristas.Palabras claveFilosofía del Renacimiento, Francisco Sánchez, Juan Luis Vives, Gianfrancesco Pico, aristotelismo, historia de la filosofía.AbstractIn the intellectual frame of the Renaissance, there were some thinkers who did not agree with the Aristotelism prevailing at the time. The variety of their philosophical positions and opinions may have been an obstacle for an approach to their similarities regarding the Aristotelian critic. The case of Juan Luis Vives and Gianfrancesco Pico della Mirandola can be paradigmatic. Also Francisco Sánchez, who strongly joined their position, devoted an important part of his play Quod nihil scitur to criticize Aristotle –although he focused on his commentators above all.KeywordsPhilosophy in the Renaissance, Francisco Sanchez, Juan Luis Vives, Gianfrancesco Pico, Aristotelism, History of Philosophy. (shrink)

ResumenEn el marco intelectual del Renacimiento hubo una serie de pensadores que se mostraron disconformes con el aristotelismo dominante. La variedad de sus posturas así como lo distinto de sus posicionamientos filosóficos ha podido actuar como obstáculo para poder ver las similitudes que, en torno a la crítica aristotélica, presentan. El caso de Juan Luis Vives y de Gianfrancesco Pico puede resultar paradigmático, a estos se suma con fuerza Francisco Sánchez, quien dedicó una parte importante de su obra (...) Quod nihil scitur a criticar a Aristóteles, aunque más aún a sus comentaristas.Palabras claveFilosofía del Renacimiento, Francisco Sánchez, Juan Luis Vives, Gianfrancesco Pico, aristotelismo, historia de la filosofía.AbstractIn the intellectual frame of the Renaissance, there were some thinkers who did not agree with the Aristotelism prevailing at the time. The variety of their philosophical positions and opinions may have been an obstacle for an approach to their similarities regarding the Aristotelian critic. The case of Juan Luis Vives and Gianfrancesco Pico della Mirandola can be paradigmatic. Also Francisco Sánchez, who strongly joined their position, devoted an important part of his play Quod nihil scitur to criticize Aristotle –although he focused on his commentators above all.KeywordsPhilosophy in the Renaissance, Francisco Sanchez, Juan Luis Vives, Gianfrancesco Pico, Aristotelism, History of Philosophy. (shrink)

An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level, making this writing as pertinent today as it was in the Fifteenth Century.

We propose here the first translation into Portuguese of Giovanni Pico della Mirandola’s small treatise De Ente et Uno (1491). The translation is preceded by a brief presentation in which the work is contextualized within the scope of the thought of its young author and in the Florentine philosophical environment of the end of the Quattrocento. In the aftermath of the controversies between defenders of Plato and defenders of Aristotle, a quarrel brought by Greek and Byzantine intellectuals (...) into Italy, who exacerbated the differences between the two philosophers, there were also others who tried to show the essential concord between them, a purpose of which Pico’s treatise is one of the most expressive and relevant documents, seeking to prove the equivalence between Plato’s One and Aristotle’s Being. (shrink)

t. 1. Scripta in editione Basilensi anno MDLXXII collecta.-- t. 2. Rime, Carmina, Commentaria in psalmos, Epistolae; Appendix; I. Reuchlin, De arte cabalistica.

To początkowy fragment mowy O godności człowieka Pico della Mirandoli." Wstępem poprzedział Danilo Facca, przełożyli Zbigniew Nerczuk i Mikołaj Olszewski. -/- This is an excerpt from the Polish translation of Pico della Mirandola's De dignitate hominis. The preface to the translation by Danilo Facca. Translation by Zbigniew Nerczuk and Mikołaj Olszewski.

Este artículo examina la concepción del espacio infinito y del tiempo en Hasdai Crescas, Gianfrancesco Pico della Mirandola y Giordano Bruno. Si la presencia de Crescas es explícita en el _Examen vanitatis_ (1520) de Pico, su recepción por Bruno, que nunca lo menciona, fue postulada por Harry A. Wolfson en 1929. Más recientemente, David Harari y Mauro Zonta han afirmado el papel intermediario de un autor judío desconocido. Sin embargo, una comparación de la crítica de (...) Aristóteles efectuada por Crescas y Bruno pone de manifiesto que, excepto dos puntos, Bruno pudo alcanzar sus posiciones con independencia de Crescas, a partir de su propia lectura crítica de Aristóteles y de su conocimiento de los desarrollos de la escolástica medieval y del concepto neoplatónico del tiempo. La significativa calificación por Crescas del espacio y del tiempo como atributos de Dios en un sentido puramente metafórico, una cuestión que Pico deja a un lado, deja paso en Bruno a la calificación del espacio infinito, de la duración y también de la materia como atributos reales de Dios, que es a la vez mente e intelecto, espacio y materia, en tanto que unidad indiferente de los opuestos. (shrink)

This is a translation of three works by Mirandola: "On the Dignity of Man," a document of early Renaissance humanism; "One Being and the One," a treatise on the relationship between unity and being; and "Heptaplus," an interpretation of the first verses of "Genesis.".

Discourse on the dignity of humanity by Giovanni Pico della Mirandola, a renaissance Italian prince known for his erudition and sensitivity.

Ziel dieser kleinen, 1492 abgefaßten und für das Verständnis der Renaissancephilosophie bedeutsamen Schrift ist der Nachweis der Vereinbarkeit der Grundlehren der platonischen und der aristotelischen Metaphysik, also die Herbeiführung der Entscheidung in einer zwischen den Neuplatonikern seiner Zeit und den Peripatetikern ausgetragenen Kontroverse, mit denen Pico in engem Kontakt stand. Der Traktat basiert auf der späteren kritischen Auseinandersetzung Picos mit seinem ehemaligen Lehrer Ficino und einer 1490 geführten, sehr intensiven Diskussion mit den beiden anderen.

La dissertation sur Origène de Jean Pic de La Mirandole dans l'Apologia.--La dissertation sur Origène de Pierre Garcia dans les Déterminations magistrales.

Reflecting the broad range of interests of a major Renaissance philosopher and his distinctive brand of syncretism, this anthology offers in their entirety three central works of Pico's. _On the Dignity of Man,_ the quintessential expression of Renaissance humanism, appears in the context of two lesser known but equally representative mature works: _On Being and the One_, a treatise defending what Pico held to be the agreement between Aristotle and Plato on the relation between unity and being, and (...) _Heptaplus_, an interpretation, influenced by a blend of cabalism and Christian doctrine, of the first verses of Genesis. New Selected Bibliography. (shrink)

Written in 1486 by the then 23-year-old Giovanni Pico della Mirandola, the Oration on the Dignity of Man is considered a 'Manifesto for the Renaissance' and one of the most influential philosophical texts of its day, setting the tone for humanism.

t. 1. Scripta in editione Basilensi anno 1573 collecta. 2 v.

Famous debate between E. Barbaro and G. Pico della Mirandola in 1485 concerning humanism and scholasticism and the role of rhetoric.

Diese Ausgabe bietet erstmals einen Schlüsseltext für die Reformation der Metaphysik in der Philosophie der Renaissance in deutscher Übersetzung. Der lateinische Text ist beigegeben. Die ausführliche Einleitung und ein sorgfältiger Kommentar erschließen die richtunggebenden Pointen, die Pico mit dieser Schrift gesetzt hat.